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Kamanė's texts

Composer Zita Bružaitė. Photo by Liutauras Paškevičius

Between emotions and rationality 2016-12-12

Justina Paltanavičiūtė

The interview with the composer and chairwoman of the Lithuanian Composers' Association Z. Bružaitė, who marked a solid jubilee this year, is about her music: sources of inspiration, creative techniques and tendencies, the evolution of her music, and many other things.

Director Gytis Padegimas. Karolina Sabaliauskaitė's photo

Gytis Padegimas, "When was the last time we visited theatre with the whole family?" 2016-12-01

Interview by Deimantė Dementavičiūtė-Stankuvienė

The finishing touches on Gytis Padegimas' play Rivers Under the Earth are taking place at the Kaunas Chamber Theatre (the premiere will take place on the 3rd and 4th of December). This is the 7th play in the director’s creative biography, based on the 20th century American playwright Thornton Wilder's work.

Play Necrosis. Photo from the Apeiron Theatre archive

What makes theatre better than cinema? 2016-11-21

Deimantė Dementavičiūtė-Stankuvienė

Contemporary, rebellious, youthful, bold, different - these five keywords can be used to describe Klaipėda theatre Apeiron which presented its premiere play Necrosis at the Kaunas Chamber Theatre.

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Adauktas Marcinkevičius. Self-portrait (1958). Kaunas photography gallery archive.

The poetry of Adauktas Marcinkevičius' photographs 2016-11-14

Neringa Krikščiūnaitė

Optimists and Skeptics is the title given to the exhibition by its curator Margarita Matulytė. The exhibition features photographs created over a five-year period. Looking at the exhibition through the curatorial lens it can be said that M. Matulytė succeeded to show Adauktas Marcinkevičius’ photographic interests quite widely and consistently - from practicing students to the portraits of the prominent artists of the time.

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Inga Mikutavičiūtė (Maia) and Dainius Svobonas (Rubek). Donatas Stankevičius' photo

When We Dead will not Awaken 2016-11-11

Deimantė Dementavičiūtė-Stankuvienė

Active creative life is taking place in Kaunas State Drama Theatre. Here, in addition to the usual premieres staged in the big halls of the theatre and the repertoire shows, the country's young directors are testing their creative powers in the smaller spaces. Monika Klimaitė was the first to get the opportunity to stage a play on this theatre's stage. Her work When We Dead Awaken can be seen at the Long Hall.

The Palace of the Grand Dukes of Lithuania, Vilnius.

Rebuilding and restoring historical architecture (Part III) 2016-11-04

Marius Vyšniauskas

The last part of the series on rebuilding and restoring historical architecture deals with the problems of rebuilding Western and Eastern European architectural heritage in the 20th and 21st centuries.

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J. Bulhak. Navahrudak castle ruins. National M. K. Čiurlionis Art Museum archive

Jan Bulhak and his Vilnius 2016-10-21

Astijus Krauleidis-Vermontas

Photography exhibition Jan Bulhak: photograph with your heart! was opened at the National M. K. Čiurionis Art Museum in September. The curator of the exhibition Aidas Kulbokas spoke more about the exhibition and J. Bulhak's personality. In addition to speaking about the photographer's heritage stored at the National M. K. Čiurionis Art Museum the curator agreed to contemplate on the city of Vilnius the way it was back then and how it is now.

Sara Lundkvist, Sweden, Map of Wonders, 2015 - 2016

European art glass panorama in the project European Glass Context 2016 2016-10-12

Raimonda Simanaitienė

This autumn, it is still possible to visit one of the most important European ceramics and glass biennials taking place in Denmark, Bornholm. This year it is dedicated to glass art, thus the official title of this year's biennial is European Glass Context 2016. The author of this article has visited the biennial for the fifth time, because that is how many times she has worked with the key Danish authors organizing this European project.

Director Agnius Jankevičius. Ignas Maldžiūnas' photo

Agnius Jankevičius, "The most important thing for me is to be useful to others" 2016-10-07

Interview by Deimantė Dementavičiūtė-Stankuvienė

Interview with director Agnius Jankevičius about his recent works, DreamWorks premiere - based on the play by Ivan Vyrypayev - staged at the Kaunas Chamber Theatre, about the topics that unify this and other works that are so important to the artist.

V. Smakauskas. A conversation piece scene at the Trakai lake shore, LDM.

Rebuilding and restoring historical architecture (Part II) 2016-10-07

Marius Vyšniauskas

The continuation of the article series on rebuilding and restoring historical architecture. Trakai Castle restoration was not limited to the rebuilding of the brick walls - the research on the surviving frescoes required a more intense supervision. The sources indicate that Trakai Castle interior was a combination of different styles that were prevalent in the territory of the Grand Duchy of Lithuania.

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A. Jankevičius' Revolt. Kaunas State Drama Theatre archive

Playing with the audience in the background of historic events 2016-10-04

Miglė Munderzbakaitė

In summary, the briefing of Revolt would look like this: meeting with an unsuccessful rebel, presentation of the peaceful ways to rebel, fun with sham tools of rebellion and examples of the negative consequences of real revolt. Did the briefing encouraged the future rebels? It is difficult to say, although, probably not. However, a subjective story - the remembering of revolutionary, historical events, introducing them in different forms during the play was a successful solution.

Evelina Šimkutė. Remis Ščerbauskas' photo

Evelina Šimkutė, "Šilainiai facade is only one piece of the puzzle" 2016-09-28

Interview by Jurga Tumasonytė

Evelina Šimkutė has been photographing her district and making art in relation to her native spaces for many years. Last autumn she started the Šilainiai project, which consists of Kaunas district of Šilainiai photography archive on the internet, photo-walks, art photography workshops in local schools, exhibitions and Šilainiai photo album.

Neemija Arbit Blatas. Parisian streets

Neemija Arbit Blatas: Lithuanian shtetl in Paris 2016-09-26

Ramūnas Čičelis

Almost all the Litvak artists of the first half of the 20th century who started their life in soon to be or already independent Lithuania, later immigrated to Paris, France. It is impossible to understand the phenomenon they had created there without knowing about the Litvak shtetl tradition.

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Andrius Pukis. Rūta Stepanovaitė's photo

Andrius Pukis about injecting Kaunas with contemporary art 2016-09-22

Interview by Jurga Tumasonytė

I met the sculptor, founder and a curator of POST gallery Andrius Pukis in Laisvės Avenue, when the strong August wind was whipping our hair. Gallery's three-year anniversary was only a couple of days away. "During those years we had so many different images, so we decided to leave the walls empty - instead of an exhibition - and fill the place with a lot of smoke," Andrius explained.

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Apeiron Theatre play Šiurpės. Photo from Kaunas Chamber Theatre archive.

Starting Points at the Kaunas Chamber Theatre 2016-09-22

Miglė Munderzbakaitė

Festival Starting Point debuted at the Kaunas Chamber Theatre on September 7th-9th. The festival theme is story - how the narrative is created here and now. Stories, problems and solutions to them in the plays were presented by Vytautas Magnus University performing arts students, KTU Theatre Studio, Valentinas Masalskis' acting course students and Apeiron Theatre.

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International photo artists' seminar Nida 2016, opening of R. Juškelis exhibition at the Neringa History Museum.

Photo artists' seminar Nida 2016: negotiating the truth of photography 2016-09-20

Tomas Pabedinskas

"Photography has been traveling for several decades from Nida to Nida," wrote Skirmantas Valiulis almost ten years ago. This year, on September 6th to 10th photographer's roads led to Nida for the 39th time and their meetings and discussions raised not only new and relevant, but also repeatedly heard questions that raised doubts about how far photography has actually developed.

Arūnas Kulikauskas. Morning coffee.

Arūnas Kulikauskas: photo diary in the times of Facebook 2016-09-16

Ramūnas Čičelis

A. Kulikauskas' photo diaries are special and can be distinguished by the fact that author, in his photographs captures what Lithuanian semiotician Algirdas Julius Greimas - who lived in France after the World War Two - called the “aesthesis” in his last book On Imperfection. Aesthesis is an unexpected flash of light in the dark, when things are seen in a new light.

A.Vaitkūnas. Composition with a pawn, oil on canvas 195x145, 2000 m.

Autumn, dedicated to the painter Arūnas Vaitkūnas 2016-09-15

Astijus Krauleidis-Vermontas

"Everything vanishes - old or saturated with the breath of life. I am only interested in the old real things, old houses, historical, sacred places. Many events seem to have been imprinted in them and those imprints attract me. Contemporary objects don't yet have a history," said painter Arūnas Vaitkūnas (1956–2005). Art lovers have an opportunity to get acquainted with his relevant art phenomenon in Kaunas throughout September.

Donatas Stankevičius. On the bus stop

Asphalt vaults, gardens and stagnant Armenia 2016-09-13

Neringa Krikščiūnaitė

If you consider yourself a lover of art and especially a fan of photography, get ready to spend a lot of time at the Kaunas Photo Festival exhibition Street value, because here, your eyes will be delighted with the abundance of information and images. Street value explores the boundaries between public spaces - visible to all, available to everyone to pass through and step on - and the impact this space has on our lives and our own development.

Composer F. Latėnas in the studio. Photo from the personal archive.

Faustas Latėnas, "Lithuania is undergoing a period of neglect" 2016-09-09

Interview by Deimantė Dementavičiūtė-Stankuvienė

This year, Faustas Latėnas - cultural figure, Prime Minister's adviser on cultural matters, and composer, who has won many important awards and continues to promote Lithuania's name abroad - is celebrating his 60th anniversary. The experience that the interviewed artist has accumulated is impressive, therefore, we could talk about anything, but the axis of this conversation will be the music compositions for drama theatre performances and a short, but significant time spent in Kaunas.

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Trakai Castle, 1908. LNM.

Rebuilding and restoring historical architecture (Part I) 2016-09-05

Marius Vyšniauskas

The Venice Charter that supervises the protection of historical monuments defines restoration as a specific operation which aims to preserve and reveal the monument’s aesthetic and historic value; it has to be based on natural material and authentic documents. However, in reality, the work faces many obstacles. In the series of three articles, focusing on royal residences' restoration in Lithuania and the world, we will analyze not only the problems that arise in restoring heritage, but will also discuss the positive examples.

Photographer Milda Kiaušaitė. Matas Laužadis' photo.

The city pulsating in photographer Milda Kiaušaitė's veins 2016-09-02

Interview by Jurga Tumasonytė

"I live and work among people of culture who surround me since childhood, thus, you could say, I have created at least a some kind of oasis to shield me from political madness," says photographer Milda Kiaušaitė who is currently working as a secretary at the Kaunas branch of the Lithuanian Writers' Association. We are talking about the city, art, film cameras, protests, kitsch, photographs frozen in the memory and today.

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Kaunas State Choir and Kaunas City Symphony Orchestra at the Pažaislis Music Festival final concert. Edmundas Katinas' photo

21st Pažaislis Music Festival final concert. What is not music? 2016-08-30

Enrika Striogaitė

After the announcement of the 21st Pažaislis Music Festival final concert, when pianist Petras Geniušas started walking towards the stage together with conductor Petras Bingelis, silent music was already playing. Elegance, repose, inner culture and simplicity - pianist's first chords started with his truly royal steps that you cannot learn or perform.

Architect Rūta Barisaitė. E. Šemiotas' photo

About the orchestration in architecture 2016-08-26

Interview by Jurga Tumasonytė

Rūta Barisaitė is a young architect based in Kaunas. After graduating from Vilnius Gediminas Technical University, for several years R. Barisaitė worked at the firm of architects G. Natkevičius and Partners and currently she is developing homes for people individually. She describes her generation as the "youngest of those who used to record favorite songs on cassettes and the oldest of those who no longer know Russian language." We talk about memories, contemporary architecture and the ledges of the hometown.

Fragments of E. Varkulevičius-Varkalis' exhibition. Rymantas Penkauskas' photo.

Sometimes painting occurs without a brush 2016-08-24

Kristina Budrytė-Genevičė

As far as I remember, Eugenijus Varkulevičius-Varkalis was always traveling - with words, on foot or mystically painting (mystically, as it is unlikely that he uses the brush as often as other painters). All his oral narratives revolve around the road. And they started a long time ago, probably, during the childhood years, when he would model cities, towns or battle fields out of plasticine, in detail, to the "very last tile." The imagined world later on moved to the West, where he went in order to return back home.

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Violist Kristina Anusevičiūtė. Photo from the personal archive

When you are the music 2016-08-24

Interview by Elvina Baužaitė

Kaunas Juozas Naujalis music gymnasium completed a year ago; a year spent at the Lithuanian Academy of Music and Theatre...But these are only the references to educational institutions. Most likely, the musical experiences were the biggest lesson for the violist Kristina Anusevičiūtė, real challenges and tests, but also the biggest gift of the last school year. The young musical personality speaks about the gift of the talent as the fruition of life, when you touch the strings of the instrument as if they were the tenderest threads of the soul and then you hear the chords sound...

Kazimieras Žoromskis. TDS 259, 1986

Kazimieras Žoromskis: landscape in abstraction - is it possible? 2016-08-22

Ramūnas Čičelis

A distinctive art style - pop art - formed in Great Britain, in the 60s. Art critics attribute Lithuanian-American artist Kazimieras Žoromskis' works to this specific style. K. Žoromskis, as one of the pop artists, is very distinctive. His painting is only partially connected to the works and ideas of Andy Warhol and other global stars.

Ask yourself what you are looking for 2016-08-19

Regina Jasukaitienė

After glancing at the dark cover of the latest Robertas Keturakis' collection of poems Night's White Clouds (Nakties baltieji debesys. Kaunas: Pasaulio lietuvių kultūros, mokslo ir švietimo centras, 2016.), on which artist Daiva Šulgaitė drew cosmic (or maybe ethnic?) signs with simple, silver-colored patterns, luminous in the dark blue background, the title might seem a bit gloomy. Let's not be fooled: light clouds are floating in the black night's sky and not everyone is able to see them. Poet poses a challenge - to be able to see the light in the dark of night.

Marija Djačenko. Photo from the personal archive

Marija Djačenko, "Time to open the windows and clear the air" 2016-08-17

Interview by Jurga Tumasonytė

I remember Marija Djačenko from a time when many knew her as the young writer who had published a collection of short stories You Agree (Sutinki, 2005) while still studying in high school. Later on Marija left for England and appeared again in the literary context after 8 years when she published a book of short stories Full of Grace (Malonės pilnoji). A new literary project initiated by Marija came to life recently: charlesmethugo.com; it has become a pretext to start a conversation about memories, Europe, books and ideas.

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Like an ox’s lick 2016-08-12

Astijus Krauleidis-Vermontas

Essay today is prone to ease and diffusion of genres. The narrator in G. Bleizgys book Ox (Jautis, Vilnius: Lietuvos rašytojų sąjungos leidykla, 2016.) is able to reflect on a mother's death in one paragraph and to interpret Arnas Ališauskas' poem in the other. However, such choice does not prevent the reader from following the lines of the text and draws one into poetically and sensitively reflected authentic events as well as existential ponderings about life, death and continuity.

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Vika Eksta's photograph

Vika Eksta's exhibition Dievs Daba Darbs - an imitation of being 2016-08-10

Neringa Krikščiūnaitė

The Latvian photographer Vika Eksta's exhibition Dievs Daba Darbs, currently running at the Kaunas Photography Gallery examines the topic of unwittingly chosen female loneliness. Life depicted in the artist's photographs both took place and is ongoing. Circumstances would come about naturally and to resist them - especially talking about villages and women of the past - was often futile.

Berlin contemporary art biennial's central exhibition location - Berlin Art Academy

Berlin contemporary art biennial resonances 2016-08-08

Raimonda Simanaitienė

The 9th Berlin Biennial - one of the most famous European contemporary art exhibitions - this year is taking place from June to September. It seems that we visit it less than the popular Venice biennial, Documenta in Kassel or Manifesto which constantly changes its location. After all, it is quite paradoxical: Berlin is not that far from Lithuania and the biennial project organized there is as good as the mentioned exhibitions, both with its size and the artistic intrigue.

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K. V. Wach. Queen Louise, depicting Hebe, 1812. Place unknown

The immortal legend of Queen Louise 2016-08-05

Marius Vyšniauskas

People interested in Klaipėda's past often encounter the name of the Prussian queen Louise, therefore, this article not only presents the biography of this extraordinary woman, her short residing in this port city, but also an aspect of Louise's cult prevailing in the region.

Agnė Liškauskienė. Post '96 landscape, 100 x 120, oil, acrylic on canvas, 2015

Painter Agnė Liškauskienė, "The condition for creation is racing against time" 2016-08-04

Interview by Dovilė Stirbytė

Artist Agnė Liškauskienė draws the motifs for her canvases - free from literary narrations or social contexts - from the surrounding nature. She subtly abstracts the objects and phenomena met in reality to a conceptual sign or simply a color field, turning their identification into a very difficult task. Often, the only thing that helps overcome it, is the title of the work.

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Guoda Gedvilaitė in the concert I got Rhythm. I love Rhythm! Laimutis Brundza's photo from Pažaislis Music Festival organizers' archive

Love for the rhythm and dance 2016-08-03

Justina Paltanavičiūtė

I got Rhythm is the name of the famous Gershwin song from the musical Girl Crazy. True, the musical itself is not widely known, but the song became popular and later even became a jazz standard. A similar name was given to one of the Pažaislis Music Festival concerts that took place at the Kaunas Botanical Gardens on the 24th of July. The concert was given by Guoda Gedvilaitė and ensemble Giunter Percussion (Pavelas Giunteris, Tomas Kulikauskas, Sigitas Gailius).

Photograph by Andrew Miksys from the Disco series

Andrew Miksys: focus on the fringe 2016-08-02

Ramūnas Čičelis

A. Miksys' photography series Disco shows how the person living in the United States is forced to open up to the Other because of his interest in his roots and search for his own origins; that Other is a country and people, the actual existence of which and the precise otherness the author may have thought about previously, but has never felt it in a sensory way. A. Miksys' photographs point to the cracks in the US reality, which are filled with a new content by the former Soviet colony.

Actress Martyna Gedvilaitė. Donatas Stankevičius' photo

Martyna Gedvilaitė, "I accept theatre as a gift" 2016-08-01

Interview by Deimantė Dementavičiūtė-Stankuvienė

Martyna Gedvilaitė - the younger generation actress working at the Kaunas State Drama Theatre, The Odd Man Theatre and Šiauliai Drama Theatre celebrated her thirtieth anniversary on the 14th of July. Roles played by the actress radiate with the search for artistic quality and originality, great passion, faith and a spellbinding voice. In the interview the young artist shares what it means to be a young actor today.

Kaunas Central bookstore

Kaunas Central bookstore is waiting for changes 2016-08-01

Laura Rimkutė

Heated debates sparked this spring on the future of the long-existing Kaunas Central bookstore. The concerned part of society was frightened that the bookstore will be destroyed after the planned privatization, just like other public places. While this story is full of political issues, I will try to distance myself from them and to look at the problem from the cultural heritage point of view.

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T. Buric's installation The Sign After at the Kaunas Town Hall Square. Milda Gineikaitė's photo

Croatian artist Tvrtko Buric, "I simply raise questions" 2016-07-30

Interview by Simona Zvicevičiūtė

Participant in the international CreArt project, Croatian artist T. Buric presented his two works in Kaunas: an installation Human Landscape in the exhibition at the Kaunas Arts Incubator Ars et mundus and an installation The Sign After at the Kaunas Town Hall Square as an accompanying project, which is mostly discussed during this interview. By the way, the persons that stole the installation, turned it more into a short-term artistic action.

V. Rudinskaitė-Juodzevičienė. Signs II, 100x120 cm, 2007.

V. Rudinskaitė-Juodzevičienė's abstract world of colors and signs 2016-07-29

Gabrielė Kuizinaitė

The abstract idea in V. Rudinskaitė-Juodzevičienė's works - like in many abstractionist painters’ works - is expressed through colors and indefinable forms. In the corner or the middle of the plane, the details and signs of the drawing turn into symbols, create the inner story which becomes apparent through color nuances and an idea encoded in the coloring.

Rymantas Penkauskas. From the series Sub Specia Aeternitatis

Lithuanian Photo Biennial in Germany - from experimental to traditional narrative 2016-07-26

Remigijus Venckus

Lithuanian Photo Biennial Photographic stories is running from the 25th of June till 7th of August at the Hobeck gallery located at the historical Baron Munchausen family castle (Leitzkau, Germany). The biennial features 12 professional photographers from Lithuania. The artists are presented in detail in Lithuanian, English and German languages. Since the beginning of the event German media and TV shows have been preparing reports about Lithuanian artists.

Valerio Chacon and Xenia Chacon during the concert Misa Flamenca. Pažaislis Music Festival. Photo from the organizers' archive.

Flamenco Mass imitation at the Pažaislis Music Festival 2016-07-25

Justina Paltanavičiūtė

The concert Misa Flamenca organised by Pažaislis Music Festival in Rumšiškės, at Blessed Virgin Mary Church, on July 16 was truly Spanish, but not quite flamenco-like and slightly amateur.

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Pranas Gailius. Abstraction VI

Pranas Gailius: from bohemian life to discipline 2016-07-19

Ramūnas Čičelis

Painter, sculptor and graphic artist Pranas Gailius, who had left Lithuania during the World War II, spend the rest of his life in France. After graduating from art studies at the end of sixties and early seventies P. Gailius had become a part of Parisian painters’ lively life that was undergoing a boom for almost half a century.

Photographer R. Juškelis in the summer of 2015. Photo by Tomas Pabedinskas

In memoriam to Romas Juškelis who lived and created freely 2016-07-14

Tomas Pabedinskas

“He does not strive for glory and lives in his own rhythm”, the colleague Alvydas Vaitkevičius told about Kaunas photographer Romas Juškelis (1946–2016) about ten years ago. As the author visited R. Juškelis’ studio last summer, it seemed that the flow of work and life was similarly independent and would never change. Now, a year after this meeting, we speak about the photographer in the past tense already.

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A. Urbietis. "Clockwork Orange"

Artworks reflecting changes 2016-07-13

Miglė Munderzbakaitė

The artist Alvydas Urbietis presented his solo exhibition of sculptures and objects “A Sense of Change” at Kaunas Post gallery at the end of June. The conceptual works ironically reflect changes taking place in our environment

Photograph by R. Vinča

Search for one’s own yard 2016-07-13

Astijus Krauleidis-Vermontas

The exhibition “My Yard’16” open at Kaunas Photography Gallery is a continuous project curated by Donatas Stankevičius. Contemporary photography of different authors for whom photography is not the main field of occupation is presented in the project.

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Giedrė Barkauskaitė. Photo by Jonas Petronis from the archive of Vytautas Magnus University

Art today 2016-07-11

Elvina Baužaitė

Referring to the story The Happy Prince by the Irish writer and poet Oscar Fingal O’Flahertie Wills Wilde (1854–1900), the author of the article converses with the ethnologist, researcher of various cultural aspects, doctor of humanities, lecturer of Vytautas Magnus University, expert and coordinator of many cultural projects Giedre Barkauskaite about art today.

S. Čiučelis – Jack in the performance “Mechanic Heart”. Photo by Donatas Stankevičius

Saulius Čiučelis: “I love experimenting” 2016-07-08

Interview by Deimantė Dementavičiūtė-Stankuvienė

In the interview the theatre, film and television actor Saulius Čiučelis shares his recipe of success and personal experience how archaeology differs from theatre.

Audrius Gražys. Installation “Sense of Freedom”, 2015. Photo by Deivis Slavinskas

Audrius Gražys: freedom and power 2016-07-07

Ramūnas Čičelis

The works of the artist, painter and author of installations Audrius Gražys who grew up in Klaipėda reveal the question which is old as humanity: can the man be free? Our freedom is constantly tested in the confrontation with the Other as man or thing.

How Viktorija Daujotytė-Pakerienė reveals Sofija Čiurlionienė-Kymantaitė 2016-07-01

Elvina Baužaitė

Sofija Čiurlionienė-Kymantaitė (1886–1958) was a writer, playwright, poetess, critic, translator, teacher, lecturer, head of scouts, creator and practitioner of spiritual and moral development theory, activist and creator of the country, i.e. a woman whose fate was, in words of the literature researcher Viktorija Daujotytė-Pakerienė, “to lead and manage”. This year the 130th birth anniversary of S. Čiurlionienė-Kymantaitė is commemorated in Lithuania.

Jens Sundheim. “100100 Views of Mount Fuji” in the exhibition “Expanding Photography”. Photo of Meno Parkas gallery

“Expanding Photography” going out of frames 2016-07-01

Neringa Krikščiūnaitė

The questions about the use of photography as the initial creative point and about the borders expanded by contemporary photography are tackled in the exhibition “Expanding Photography” organised by the West German Artists’ Association at Meno Parkas gallery in Kaunas.

Jean-Antoine Watteau. “Italian Theatre”, 1717, State Berlin Museum, Germany

The great theatre of the world (Part II) 2016-06-30

Marius Vyšniauskas

In 1830–1880 theatre expanded and flourished in all European countries – new buildings were constructed, more work appeared on the stage and behind the curtains. Productive playwrights wrote hundreds of short plays. Theatre of Lithuania developed in the same way until it subsequently became of national style propagating Lithuanian values.

Fragment of E. Varkulevičius' exhibition

A glance at the exhibitions presented at the National M. K. Čiurlonis Art Museum 2016-06-23

Astijus Krauleidis-Vermontas

This time, I suggest looking at the National M. K. Čiurlonis Art Museum's activities and see what interesting, useful and unseen things are happening at the museum's departments. At the exhibitions visitors will be able to get acquainted with Eugenijus Varkulevičius and Vladas Eidukevičius' exhibitions, to remember an important personality in Lithuanian history - Mykolas Kleopas Oginskis - and get acquainted with the exhibition dedicated to his 250th birth anniversary or carefully investigate Norwegian Inger Johanne Brautaset's exposition and Belgian art exhibitions.

V. Grigaitytė – Jeanne in the play Locusts (director R. Atkočiūnas). Photo from the personal archive, 2009.

Vilija Grigaitytė, "I cannot stand lying on the stage" 2016-06-22

Deimantė Dementavičiūtė-Stankuvienė

Vilija Grigaitytė is a Kaunas State Drama Theatre actress and a translator who was awarded this year with a Golden Stage Cross and Fortūna statuette for the supporting role of sister Veronica who sacrificed her life for the welfare of her brother in a play Woodman directed by the Latvian director Valters Silis. Artist has won a number of awards earlier. Her roles are characterized by the deep sense of the character and a desire to provide each of the role with individuality and originality.

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Kovács Kinga. Life cycle, 2016. Romania

The fantasy of the future 2016-06-21

Remigijus Venckus

Since many works featured at the exhibition Notes of Tomorrow show the situations of consciously shaped looking but not seeing and not noticing (or seeing obscure forms) a relevant question comes up - did something that is portrayed as a strange vision exist at all? Can its (non) existence ever be repeated?

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Play Number (director Ž. Vingelis). D. Stankevičius' photo from the Drama Theatre's archive.

Lab of existence 2016-06-21

Astijus Krauleidis-Vermontas

Kaunas State Drama Theatre completed the season with two quite different premieres - Agnius Jankevičius' Revolt and Lithuanian Academy of Music and Theatre graduate Žilvinas Vingelis' graduate work Number (course leader - Gintaras Varnas). The latter premiere was intriguing - we can see how the 21st century play is adapted; what director chooses to highlight and transfer from the drama text to the stage.

DaGamba concert at Babtynas-Žemaitkiemis manor. Laimutis Brundza's photo from Pažaislis Music Festival archive.

DaGamba: classics differently 2016-06-20

Justina Paltanavičiūtė

The music of DaGamba consists of original compositions based on the classic melodies, thus the famous works take on a whole new form. The most interesting thing is that while listening to DaGamba you feel as if you are attending a rock concert. Sometimes you even feel surprised when you remember that there are no electric guitars or drums on the stage, only two cellos, keyboard and Iranian percussion.

P. Lincevičius' exhibition-project Land at the Vincas Mykolaitis-Putinas Memorial Museum. Author's photograph.

A different reconstruction of history 2016-06-17

Remigijus Venckus

Petras Lincevičius' exhibition-project Land at the Vincas Mykolaitis-Putinas Memorial Museum in Vilnius is not a normal everyday phenomenon. It is worth seeing and reflecting on because of the harmony between paintings and drawings and the environment of the exhibition. In this case, the memorial apartment, in addition to becoming a document of history also becomes a new work of art.

Pranas Domšaitis. Crucifixion. 1962

Pranas Domšaitis: the language of figurative painting 2016-06-14

Ramūnas Čičelis

The South African-Lithuanian painter of the 20th century Pranas Domšaitis is certainly a representative of figurative painting. In his works, his visual texts, he seeks to know the reality of his country of residence, which for him is the Other, a different experience than Lithuania. P. Domšaitis’ works are dominated by color, the essential and unique sign of his work is an inimitable coloring determined by the South African reality.

 Menander at his studio with the New comedy masks, 1st century BC - 1 Century AD. Princeton University Art Museum, United States.

The great theatre of the world (Part I) 2016-06-08

Marius Vyšniauskas

Theatre history counts thousands of years - it dates back to religious ceremonies of early communities, when people worshiped a birth, death and resurrection of a certain god. In Europe, theatre played a cultural, political and social role, therefore, in these series of articles we will discuss not only the stages of development of theatre, the birth of opera in the Polish–Lithuanian Commonwealth, but we will also convey the theatrical atmosphere of various nations.

Hedda Gabler. Director Ginatras Varnas. Photo from the Kaunas State Theatre archive

H. Ibsen's dramaturgy in the history of Kaunas State Drama Theatre 2016-06-06

Miglė Munderzbakaitė

The work of 19th century Norwegian playwright Henrik Ibsen - titled by many theatre scholars as a pioneer of contemporary drama - is recognized in many European countries; the works are staged in theatre and more recently in cinema. The playwright, who turned to the societal problems of his time, also received special attention in Lithuania.

A. Kezys' photograph New York World's Fair, 1964, that was used in the exhibition poster.

Photographs that sing praises of forms 2016-06-02

Ugnė Makauskaitė

Algimantas Kezys' exhibition hosted at the Prospekto gallery in Vilnius consists of three segments: black and white photography created in Chicago, New York and Paris. Since the photographer's aesthetic and technique gradually changed, the exhibition is limited to three creative decades: from the 60s when he started photographing, to the 80's before he started using new digital technology in his work.

A complimentary word to anger 2016-05-31

Kamilė Šopytė

Reading Sigitas Geda's diaries Blossoming Potato Dreams (Žydinčių bulvių sapnai, Vilnius: Lietuvos rašytojų sąjungos leidykla, 2015) might cause some confusion. Author is a well-known and recognized poet, but perhaps it would not be too bold to suggest that his diaries will irritate many, leaving and unpleasant impression. S. Geda does not evade a strong or vulgar saying, nor a fierce assessment.

Vytautas Kašuba's monument for Duke Gediminas in Vilnius, at the Cathedral Square, Photo from wikipedia.org

Vytautas Kašuba: The dethronement of history 2016-05-30

Ramūnas Čičelis

V. Kašuba is the Lithuanian expatriate artist who opened up Lithuanian sculptural and artistic thinking to the Western context and helped overcome national complexes. This coping is one of the conditions and opportunities of successful creative process of contemporary Lithuanian artists.

Exhibition in Prague. 2016

Four Lithuanian photographers in Prague 2016-05-27

Tomas Pabedinskas

Prague's Panny Marie Snežné monastery gallery is hosting an exhibition Four Lithuanian photographers from May 17th till June 30th. The works featured in the exhibition come from Antanas Sutkus' photography series Lithuanian people, Aleksandras Macijauskas' series Lithuanian markets, Romualdas Rakauskas' series Blooming and Romualdas Požerskis' photographic narrative about a small village resident Little Alfonsas.

Aldona Gustas. Together I, 1989. Photo from the National M. K. Čiurlionis archive

Diversity of May in Kaunas galleries 2016-05-25

Astijus Krauleidis-Vermontas

Recently, the Museum Night took place. Many of Kaunas museums were open until midnight. This specific night attracted crowds of people, who willingly attended exhibitions and took interest in what is currently happening in the art arena.

Kęstutis Musteikis. Battle.

End of history: giving sense to the memory of Kazimieras Simonavičius and the art of sculpture 2016-05-25

Remigijus Venckus

Reflecting on the memory, the masters of contemporary Lithuanian sculpture organized a unique exhibition dedicated to Kazimieras Simonavičius. It is no coincidence that artists' ideas were supported by the heads of Kazimieras Simonavičius University, therefore the exhibition was held in the university’s premises (J. Basanavičiaus 29A, Vilnius) and it has been delighting the art lovers throughout the month of May.

Lina Kaminskaitė-Jančorienė. Photo from a personal archive.

Where do Silver Cranes of film fly? 2016-05-25

Elvina Baužaitė

After the 21st Vilnius international film festival Film Spring's wave of growing film fans died down and the horizon, for the ninth time, showed the approaching Silver Cranes I thought we should have a conversation on the topic of Lithuanian cinema. Film historian Lina Kaminskaitė-Jančorienė - consistently, from the inside and out, subjectively and objectively - will share her thoughts on it.  Lina Kaminskaitė-Jančorienė is a lecturer at Vilnius University Faculty of History. In 2014 she has defended her doctoral thesis Film in the Soviet Lithuania: the Evolution of the System and Change of Functions (1944–1970).

Eitvydas Doškus' photo

Paulė Bocullaitė on art, asphalt and childhood 2016-05-25

Jurga Tumasonytė

I knew that Paulė Bocullaitė is busy spinning in a centrifuge of jobs: she paints, works in theater, creates advertising and participates in art projects. In addition, this year she won a Golden Stage Cross for the best stage and costume designer. Young and talented artist grew up in a family of theatricals, studied in art schools and art academy.

Lev Bakst. Firebird costume sketch for I. Stravinsky's ballet Firebird. 1922

Celebration of life and creation 2016-05-20

Gediminas Jasinskas

What defines the art of one or the other epoch? Style, location, era? What gives an artwork its physical shape; what draws that unique contour, which will be impossible to repeat in the future? An artist? Unfortunately not. Art styles, movements and branches are much more than the activities of like-minded artists.

Aleksandras Macijauskas' photograph, 1965

To know the body through photography 2016-05-19

Astijus Krauleidis-Vermontas

Kaunas Photography Gallery is hosting an exhibition Nude theory since the 28th of April until the 22nd of May. It is, indeed, a rare opportunity to get acquainted with photographs that were professionally selected from the archive and which are focusing on the nude genre.

Marc Chagall. Drunkard

Marc Chagall: tamed imagination 2016-05-18

Ramūnas Čičelis

Marc Chagall, unambiguously seen by art critics and historians as the greatest and most famous 20th century Jewish artist, was born in the present territory of Belarus, which then belonged to the Russian empire.

Fryderyk Dubois. The portrait of Marija Teresė Tiškevičienė, 1785. National Museum of Krakow, Poland

Women of the Enlightenment age - Marija Teresė Tiškevičienė 2016-05-16

Marius Vyšniauskas

Before the 18th century, in order to self-actualize as an artist or politician, a woman had to turn the world upside down. Her main duties revolved around the family and did not exceed the limits of everyday life. So how did it happen that winds of emancipation contradicting the belief of Genoa humanist Ottaviano Fregoso (1470–1524) that "women are extremely imperfect beings who cannot be compared to men in terms of dignity" started blowing during the age of Enlightenment?

Play The Promise of Dawn with translation into sign language. Raminta Narkauskaitė's photo from the Kaunas State Drama Theatre archive.

Socially responsible theater 2016-05-13

Elvina Baužaitė

Kaunas State Drama Theatre, which has already presented five premieres this season, with two more planned in the end of May, invited an especially broad circle of people to dive into the sea of theatre experiences. The word especially is not accidental, it is purposeful. For the first time in the history of Lithuanian theatre the stage curtain was opened for the deaf and for the seventh time - for partially sighted and blind. The aim to involve everyone into the world of theatre is an initiative showing the self-consciousness of theatre and the sense of its meaning and value.

Young women's writing: poetry of the senses 2016-05-13

Astijus Krauleidis-Vermontas

It is good to know that poetry books published by young writers were included in the list of top 12 most creative books of 2015. It is the creative verdure, which would code interesting and innovative poetry forms and contents of meaning that literary field lacks, especially poetry. Therefore, new names and the authors' first books are not only expected, they also intrigue. One of the young poets invites to creatively experience longing of home and the other one to know the woman's world.

From J. Pociūtė's solo exhibition The scale of the wave, Pamėnkalnio gallery, Vilnius, 2016.

Julija Pociūtė, "I am only interested in the moment of reality; reality experienced in various aspects" 2016-05-12

Dovilė Stirbytė

Although J. Pociūtė often uses glass to express her ideas, she treats it conceptually. Artist is interested in the semantics of material, the connotations it emanates and aims at exposing it in her works. We are talking with the author about the topics she analyzes in her work - change, death, transience, memory and connections between them that reveal themselves in her works presented at the exhibitions.

The premieres of Lithuanian composers' electroacoustic musics pieces. Tomas Terekas' photo.

Young Music'16: comments, impressions, references 2016-05-11

Tautvydas Bajarkevičius

Festival Young Music dedicated to contemporary music took place in Vilnius on April 18-23. As it has recently become customary, this year's festival has also featured genre variations combining various manifestations of live electronics, electroacoustic, digital and chamber music. Also there were plenty of conceptualized listening situations, performativity and improvisation combining the variety of media.

Fragment from the play Maria Stuart (director Artūras Areima). Martynas Sirusas' photo from the Vilnius State Small Theatre archive.

A little tale from the grave 2016-05-10

Kristina Steiblytė

What was A. Areima's Mary Stuart like? It contained some formalism, some elements of own and other Lithuanian plays; there were different ways of acting, illustrative music chosen by the director and as illustrative video projections by Rimas Sakalauskas and a number of errors.

Ester Rada's performance at the Vilnius Congress Hall. Augustas Didžgalvis' photo

Kaunas Jazz 2016 spring sounds. The second letter 2016-05-10

Justina Paltanavičiūtė

Festival Kaunas Jazz 2016 at the Vilnius Congress Hall was closed by an Ethiopia-born Israeli Ester Rada - a younger generation jazz star, who became famous only several years ago. Without a doubt, this was the best and most memorable concert of this year's festival.

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Klaus Doldinger is what you have been waiting for the whole year

Kaunas Jazz 2016. First (secret) letter 2016-05-06

Enrika Striogaitė

Kaunas Jazz festival is perhaps the only festival that can be felt by all sympathetic to this (or not necessarily) genre of music. The festival features many different kinds of music and if some people start questioning whether it is jazz or not really, the answer according to Bobby McFerrin (the star of the 21st Kaunas Jazz) would be only one - "Don't worry." Let's relax and look for the jazz inside us.

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Maranta - a journey towards self and faith 2016-05-04

Laura Verbickaitė

Birutė Jonuškaitė's novel Maranta (Vilnius: Lietuvos rašytojų sąjungos leidykla, 2015) reveals the destinies of three generations of women through the main character Rasa's tireless search for peace of mind. We learn not only about their love stories, but also the details of life in a remote village on the Lithuanian-Polish border; the character's strength (especially women's) which they draw from the customs of their land, their family and faith.

I Wish You Could Never Appear Again In My Dream. Solo exhibition. Unknown author. Kaunas Picture Gallery, 2015. Photo by Antanas Untydi.

Auris Radzevičius, "To get off the ego capsule and open up to infinity" 2016-05-02

Dovilė Stirbytė

Auris Radzevičius is a striking, controversial and multifaceted personality; his work is difficult to describe in clear, unambiguous terms. We have met to talk about spaces and skulls, freedom and reality with A. Radzevičius in his creative studio located in the attic of his home.

Almost all of Alfonsas Andriuškevičius 2016-05-02

Astijus Krauleidis-Vermontas

What I find interesting in the Lithuanian literary history are the people who write without having a philological education, for example: graphic artist Jurga Ivanauskaitė, art critic Kristina Sabaliauskaitė, physicist Ričardas Gavelis or philosopher Dalia Staponkutė. Such writers have a distinct way of understanding literature. Art critic Alfonsas Andriuškevičius can also be put next to the authors without philological education.

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La Boheme (director J. Smoriginas). Michailas Raškovskis' photo from R. Kudžmaitė-Daraškevičienė's archive

Dancing soul 2016-04-28

Elvina Baužaitė

According to the ballerina, choreographer and dance teacher R. Kudžmaitė-Daraškevičienė, be it yesterday, today or forever, dance always speaks about the same thing - passion of life, human and destiny. Forms of expression change, but the very essence of dance remains unchanged. Thus, how and what does the dance speak of today?

Vilnius Municipality decided to build J. Basanavičius monument in front of National Philharmonic. For illustration they used sculptor R. Jakimavičius' sketch, which he had suggested before the World War Two. Photo from vilnius.lt

Ideas for monuments commemorating Antanas Smetona and Jonas Basanavičius 2016-04-27

Arūnas Vyšniauskas

Lithuanian government has foreseen many measures in the commemoration program of the hundredth anniversary of Lithuanian state restoration. The program was approved by the government in the resolution of 2015, August 19. Among the measures there are plans to build monuments in Vilnius for Jonas Basanavičius and Antanas Smetona. I would like to say a word concerning the monuments, the building of which, according to the President Dalia Grybauskaitė is "the matter of our honor."

V. Lingys. Blooming. 2014. Photo from Lingys.lt

Art spells 2016-04-22

Astijus Krauleidis-Vermontas

April is probably the busiest month in galleries and museums. Currently, upon visiting Kaunas galleries one can see jubilee, retrospective and quite magical phenomena; one can dive into meditation, look for light in the shadows, re-read the fairy tales, look at Kaunas from a different angle or get acquainted with art from another country.

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D. Gavenonis in the 5th grade, on the way from school. Laisvės avenue, Kaunas. Photo from the personal archive.

Kaunas as a source of inspiration 2016-04-21

Deimantė Dementavičiūtė-Stankuvienė

Theatre and film actor Dainius Gavenonis, Lithuanian National Culture and Art Prize winner has been previously awarded with Ministry of Culture prizes for his great roles; he had also received the Golden Stage Cross and Silver Crane among other awards. Actor, born and raised in Kaunas, shares the lively and sincere memories of his youth - one of the most important stages of life, full of fatal decisions.

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Still from the film The Show of Shows

Film Spring: who are we without the show? 2016-04-20

Enrika Striogaitė

We need the show, like we need films - as it was announced by the Film Spring, the spring of emotions - that provide us with new, well and less known experiences and feelings and give us the opportunity to voyeuristically and also culturally look at other people's lives and maybe even become them for a second.

Andrew Mikšys' photograph

Red tulips or photography as provocation 2016-04-19

Astijus Krauleidis-Vermontas

At the Kaunas Photography Gallery the photographer Andrew Mikšys introduces us to Belarus and presents it as he sees it through the camera lens. In the latest series Tulips the author focuses on a person and his living environment. And the image of tulips, historically familiar to us, through color leaves a mark not only in photographs but also in people's minds.

Masaccio. Healing of the Cripple and Raising of Tabitha, 1425, Brancacci Chapel, Florence, Italy.

Miracles and superstitions in Europe's everyday life 2016-04-18

Marius Vyšniauskas

Belief in miracles in society shows the inability of people to rationally explain the strange events that once in a while occur in our everyday life. We will talk about it more in this article by analyzing various mystical stories that resonated in the Grand Duchy of Lithuania and Western Europe.

Fragment from P. Ramanauskas and R. Sorakaitė's exhibition "Echo of Tonometer"

Painting in an expanded field 2016-04-15

Basically, all the exhibition objects or their constellations are images of P. Ramanauskas and R. Sorakaitė's every day and domestic life, which, according to the artists, are haunting their work, raising questions and insisting on continuous listening. By embodying these images in matter and searching for the "significant form" that befits them artists seek to at least partially expose the entity dormant inside them.

So that the draughts would not blow what is best 2016-04-15

Laura Verbickaitė

D. Kalinauskaitė's The Hause of Draughts (Skersvėjų namai, 2015, Tyto alba) speak of real and imaginary, close and strange, physical and spiritual home, about the droughts blowing in them an inside a person. The book of everyday problems, full of imagination and various cultures, forces the reader to think and protect from the draughts "what is best."

Viktorija Kuodytė. 2009. Diana Birškė's photograph.

The map of ideas on the stage is drawn with the inner ear, sensitivity to truth and introspection 2016-04-12

Elvina Baužaitė

Let the director Krystian Lupa's ideas and Hunger Master's semantic content be the start for the conversation with actress Viktorija Kuodytė while talking about the acting experiences - challenges and discoveries.

Kaunas. Nikolaj avenue, currently Laisvės avenue. Intersection of Savanorių and Vilnius streets in the early 20th century. Photo from miestai.lt

Local spirit hovering in Kaunas 2016-04-08

Laura Rimkutė

The image of the city is shaped by a variety of symbols - such as architectural buildings or public city spaces: parks, cafes, restaurants, cultural sites. However, such material objects acquire meaning and a special atmosphere only because of the local population. In other words, these objects are provided with special meaning by genius loci.

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Gintaras Jaronis. From the series Travel fragments / Infrared photography. 2014-2015

A return to the beginning of artistic explorations 2016-04-07

Gabrielė Kuizinaitė

Recently, Kaunas Artists' House hosted the exhibition Fragments. Journey into myself by the photographer of the middle generation Gintaras Jaronis. On the occasion of this exhibition we provide a more detailed presentation of the artist's recent works and his oeuvre.

Aidas Marčėnas' poetic world In one 2016-04-07

Astijus Krauleidis-Vermontas

As a commodity code 9789986398516, encoded in his latest collection of poems In one (Viename, 2015, Lietuvos rašytojų sąjungos leidykla) poet Aidas Marčėnas remains faithful to his creative style. Using the number categories and gentle irony poet encodes the experiences of the subject, analyzes the fundamental topics of being and creation in hope that the reader will recognize these codes and consume his poetry.

From J. Jarulytė's project Lithuanian North. Photo from the artist's archive

Time forgotten in the notebooks - Jūratė Jarulytė's Northern Lithuania 2016-04-04

Kristina Budrytė-Genevičė

In 2015 artist Jūratė Jarulytė was developing a very personal, an almost autobiographical project Lithuanian North. The personal feeling of the project disintegrated in several layers - it is a geographical, emotional and an artistic experience.

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V. Lanskoronskytė. Benas šarka, 2016.

Lithuanian light images. The antidote to loneliness 2016-04-01

Austėja Mikuckytė

Ignas Stanys and Vaiva Lanskoronskytė's photography exhibition Lithuanian light images was opened in Vilnius, at the Journalists' House (Jogailos str. 11) on the 1st of April. These are the artistic portrait series of the prominent Lithuanian personalities of culture. Most of the portrait series are accompanied by short photo stories - sound slides, developed from the portrait photographs and conversation fragments.

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Exhibition Signs of Time at the Mykolas Žilinskas Gallery. Deivis Slavinskas' photo.

Curator K. Stanislawski, "Polish and Lithuanian contemporary art is powerful and interesting" 2016-03-31

Neringa Krikščiūnaitė

If you ever had an idea to get acquainted with contemporary Polish art, at least a little bit, there is a great opportunity for that - Torun Center for Contemporary Art Signs of Time are exhibiting its art collection abroad for the first time. And for that, they chose Kaunas, Lithuania.

Jonė Ramunytė. Frumuşica Nouă, 2010.IX.28, Magnus Ducatus Poesis plein air, Skaida Jančaitė's concert. Photographer - Vladas Braziūnas.

Conversation about French literature - between the classics and variegated ephemeral butterflies 2016-03-30

Elvina Baužaitė

March, throughout the world is known as a month of Francophony. French culture has been pulling and attracting Lithuanians since the interwar period, when Kaunas - the Provisional Capital - was developing and had an ambition of becoming little Paris. We invited translator Jonė Ramunytė to talk about France from the Lithuanian perspective. She has been translating French literature into Lithuanian language for over two decades and is a true Francophone.

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