Scene

“The Marriage Bill”. Fanny (Justina Tomkutė) and Edward (Mindaugas Zimkus). Photo of Kaunas State Musical Theatre

Starting with wedding based on calculation, ending with sharing of legacy 2013-12-06

Rima Jūraitė

The rejoicing fact is that the repertoire of Kaunas State Musical Theatre replenishes with new stagings of operas every year. Still, these two operas in particular, “The Marriage Bill” and “Gianni Schicchi”, provoke a twofold evaluation.

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First-year students of acting programme. From personal archive of Ina Pukelytė

Ina Pukelytė: “Craft is not enough for an actor” 2013-12-02

Interlocutor Monika Jašinskaitė

“Craft is not enough for an actor, he/she has to take interest what new happens, what experiments are made, how people go further. The spectator comes to look at a thinking actor, not only masterful. He/she is interested what an actor wants to say about life here and now or in future and not how he/she does it. The tradition of a live actor rather than functional is more significant,” the theatre critic I.Pukelytė states.

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Programme Post Scriptum of the festival Gaida: musical theatre performance “Lost Time” directed by O.Koršunovas. Photo by Austėja Gudžiūnaitė (http://agudziunaitephotography.weebly.com)

No more nymphs 2013-11-13

Tautvydas Bajarkevičius

“Lost Time” was a time of intensive experience full of dynamically changing views, tonalities, metaphors and energy. Perhaps somebody was encouraged to search for the lost time along with Proust, perhaps someone will dip into thought about the river of time and Eliot’s desserts meditating traces of disappeared nymphs covered in sand. Others will remember the psychedelic grimaces of American Psycho and will meet them with an ironic smile in the mirror.

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AVaspo. Photo of Darius Jurevičius

Melancholy: black bile or influential word 2013-11-12

Edvinas Grin

The joint project of the dance theatre AIROS, group of audiovisual poetry AVaspo and Kaunas Artists’ House, the sketch of the dance performance “Towers of Melancholy” will be presented in the Big Hall of Kaunas National Drama Theatre on November 14. Reflections about the creative process may be found in the interview with the choreographer of the performance Aira Naginevičiūtė and playwright, poetess, performed Gabrielė Labanauskaitė.

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Performance of A.Areima "The Cherry Orchard"

Selling the cherry orchard? 2013-11-02

Andrius Jevsejevas

The article is dedicated to the newest premiere of Kaunas National Drama Theatre, “The Cherry Orchard” directed by Artūras Areima according to Anton Chekhov. The author states that the performance “At Lower Depths” of Oskaras Koršunovas staged according to Maxim Gorky became a kind of key to understanding this performance. Still, this key did not justify all the inaccuracies, incoherence, obscure interpretations and other kind of faults of the director’s work.

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Performance "Box Melancolique“

Vita Mozūraitė: “The strongest dance troupe is in Kaunas” 2013-10-07

Monika Jašinskaitė

The international dance festival Aura'23 was organised in Kaunas on September 18-22. It was presented as a platform of African contemporary dance to the audience, although works of western troupes were also shown. As emotions faded away slightly after the festival, the dance critic Vita Mozūraitė was asked to review and comment the seen performances. The interlocutors could not distance from thoughts about the Lithuanian dance scene and the only Lithuanian dance theatre in the conversation.

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Scene from the performance "Maja". Photo by D.Matvejevas

What’s new? 2013-09-12

Kristina Steiblytė

As it has already become usual at the Arts Printing House, the beginning of the new season is closely related with the new circus. The festival New Circus Weekend (like the Arts Printing House itself) promised exceptional experiences for admirers of untraditional stage art, like in previous years. The organisers stated boldly that this circus was not for children. However, the festival made one doubt this categorical statement as well as the novelty of the circus.

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YOU LISTEN AND HEAR HOW THE PUPPET HEART BEATS 2011-06-06

In brief: The 19th international puppet theatre festival “The Flying Festival” organised on the 25th-28th of May presented the great variety of themes and actors' mastery: performances of puppeteers from Latvia, Russia, Poland, the Ukraine, France, Czech Republic, Croatia, Slovakia, the Netherlands, Israel, China and Lithuania were shown at Kaunas Puppet, Kaunas State Musical, Kaunas State Drama and Kaunas Chamber Theatres till late night.

G. VARNAS: “AN ACTOR SHOULD BE AN ARTIST RATHER THAN A STATE SERVANT” 2010-12-13

Vidmantas Kiaušas

We live in an interesting period of time: theatre experiences shrinkage, it is contracting; therefore, it should become deeper and turn into elite art. Otherwise, theatre will turn into a soap opera, series. The logic of real theatre is not the “stars” but things the audience expects from you. You have to see the problem and to be able to show it, to make the audience hear you and persuade to follow you. Losses are inevitable; some performances cannot be shown in halls of a thousand seats. Such a tendency has been noticed in Europe a long time ago; sometimes a performance is shown in a room for a small number of spectators.


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