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Readers are invited to browse the archives for information about Kaunas artists, past events and critical reflections.
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  • English version of Kamane.lt will no longer be updated

 Result

Fine Arts

Povilas Ramanauskas. "Homage to a Painting." Wood, plastic, lamps, cotton, linen, 125 x 105 x 14 cm. 2013

On Ash trees, thorns, time and death 2015-07-10

Dovilė Stirbytė

Visual art, which has long stopped representing (only) the area of mimesis, often appears as a framework or structure that does not picture anything; as a code, a citation, a link, a comment or something that is in between, (founding) claiming its own reality. Of course, artistic creation is only a small part of a machinery that manufactures alternative realities and a painting exhibition "The relevance of Reality" held in Lithuanian Artists' Association gallery Meno Parkas in Kaunas only partly reflects their diversity.

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Rita Griškonytė piece

Glass art experiences in Estonia 2015-07-09

Raimonda Simanaitienė

Naturally, various travels and new experiences and impressions coincide with the summer time. In July I was able to get thoroughly acquainted with the Estonian glass artists’ work and their exhibition activities. I can claim that this time, the most interesting discoveries of this field did not happen in Tallinn, at the Estonian Academy of Arts (which is famous, since the interwar period, with its strong artistic glass education) but in the province - towns of Olustvere and Järvakandi in the central part of Estonia.

6

V. Neveravičius, “Moor Woman with Beads”, 1853, Lithuanian Museum of Art

Orientalism in painting: between cruelty and beauty (part 2) 2015-06-15

Marius Vyšniauskas

It may be stated that art of the 19th century is first of all the “silent” critic of the society that embodies the existential anxiety of the modern man visually. A painting had to shock an individual: a person as a passive observer disappears, his and the painter’s conscience merge. Therefore, orientalism, which reached the artistic apogee in the 19th century, did not stay indifferent to the sores of the time: abolitionism, nationalism, war propaganda and still remained high fashion of the time.

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K. Voinovskis "Marija Tereza Poniatovska-Tiškevičienė", 1797. National Warsaw Museum, Poland

Orientalism in painting - Turkish fashion conquers Europe (part 1) 2015-05-26

Marius Vyšniauskas

Term orientalism in literature describes the culture common to the Middle and Near East and South Asia, which Europe tries to mimic. In the series of articles Marius Vyšniauskas presents the influence of orientalism to the art of Western and Lithuanian art.

4

Fragment of A. Žalpys exhibition "Stories. The Man. (Biography Never Written)." Photo by A. Žalpys

Arvydas Žalpys, "I am all for contemporary expositions" 2015-05-25

Neringa Krikščiūnaitė

Works presented in the exhibition "Stories. The Man. (Biography Never Written)", ranging from the white empty framed sheets of paper to video documentations where creating a story that included the past and current events as well as the personal future plans.  I had a conversation with Arvydas Žalpys about this exhibition, his work, influences, differences between contemporary and current art and experimentation in our current culture.

8

Fragment from Aldona Keturakienė ceramics exhibition "Her Room"

Contemporary art created with traditional means 2015-04-28

Deima Žuklytė

Exhibitions of two lecturers of the Vilnius Academy of Arts, Kaunas Faculty are taking place in Vilnius. It is the ceramics exhibition of A. Keturakienė "Her room" (at the gallery Akademija) and J. Aukštikalnytė-Varkulevičienė painting exhibition "Boundary portraits. Conversations" (at the Šv. Jono gatvė gallery). Even though, both artists are working with traditional techniques and remain within the boundaries of their art branches, the art they are creating is conceptual.

3

Roland Rimkūnas. "Reanimated classics", 2007, etching, 58 x 72 cm. Author's photograph

At the first graphics biennial - conversations with the past 2015-04-27

Kristina Budrytė-Genevičė

Graphic works of Lithuanian and foreign artists were being presented for a whole month in the first International Graphics Biennial "Culture Line" (March 26 - April 26). The biennial, which was held in two exhibition spaces of Kaunas (Picture Gallery and M. Žilinskas Art Gallery) posed some questions and provided with unexpected hopes.

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E. Darulis. "In the fractured drop", 2014 from a personal E. Darulis archive

Search for the sign in the denuded Jorės. Egidijus Darulis painting 2015-04-20

Evelina Januškaitė

E. Darulis painting is dominated by a consistent search for details. It is not specification - structural models and their interactions are examined and visually conveyed. His works tell a story of how the primitive forms become complex organisms.

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A. Vaičaitis. Pagan Dance, 1965. From the album "A. Vaičaitis. Linoprints." Paper, linocut, 22,2x12,8 Scanned by Edgaras Austinskas.

Reflections of the graphics of the past century - in remembrance of Adolfas Vaičaitis (1915 06 16–2015 03 29) 2015-04-17

Kristina Budrytė-Genevičė

Now, already a historical exhibition of Adolfas Vaičaitis "Full Moon" fit all the main graphic art periods of the artist from a bygone era. At a small but spacious exposition we can trace the dotted lines of a long creative period: works from the college times, the graduations works, social didactic prewar posters and war time book illustrations. The after war periods abroad - in Germany and Australia - were also presented.

3

Graphic works by Peeter Alik at Kaunas Picture Gallery

Seven nominations, or George Orwell and space 2015-04-10

Neringa Krikščiūnaitė

Nominations are always fun. To receive them and to observe what they are being given for. The first Kaunas International Graphics Biennial "Culture Line" that takes place at the Mykolas Žilinskas Art Gallery and Kaunas Picture Gallery, also could not do without nominations. When so many authors from different countries are presented with their works rendered in diverse graphics techniques, nominations help in arranging them.

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