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M. Johnston asserts that ‘The Invisible Front’ should help the world better understand why Lithuanians resisted the cruelty and deportations. V. Sruoginis wishes to activate the dialogue between the East and the West. J. Ohman underlines the aim to make the past of Lithuania and that invisible underground war finally visible. 1
M. Johnston asserts that ‘The Invisible Front’ should help the world better understand why Lithuanians resisted the cruelty and deportations. V. Sruoginis wishes to activate the dialogue between the East and the West. J. Ohman underlines the aim to make the past of Lithuania and that invisible underground war finally visible.
At the beginning of autumn the ninth photography festival Kaunas Photo livened up the pulse of Kaunas cultural life. More than a dozen solo exhibitions of Lithuanian and foreign artists are presented in separate spaces, and about fifty authors introduce their ideas in the joint exhibition at M. Žilinskas Art Gallery. It seems that other kinds of visual art have to pay respect to photography and take a rest meanwhile.
In brief: Everybody is acquainted with paintings of the French impressionist Pierre-Auguste Renoir; still, graphic art of the painter is not so well known; these works are presented to people more seldom, and the majority have not heard about graphic works of Renoir at all most probably, even though several prints of this impressionist are stored at the National M.K.Čiurlionis Art Museum, Collection of Foreign Graphic Art.
