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Guoda Gedvilaitė: “It was a really serious show, not some play. I adore chamber music, I play in a trio or quartet in Germany sometimes. I give concerts with soloists rarer. Vilhelmas is an exception. We have promised to each other to be faithful”.
There is much of everything at the end of the summer. “It’s (Not) the Same for Me – Jaras’ Dzen!” by Skaidrius Kandratavičius sent to Kamanė (not the first work already) has not been edited as regards the style and writing/spelling manner so that it would not lose its original “uniqueness”.
Mastery courses, during which the young musicians learn secrets of playing an instrument from real professionals, give concerts, share impressions and experience, are becoming more and more popular every year. Still, one should regret that these events attract fewer and fewer listeners and constantly lack funds. The majority of teachers and organisers work only for the sake of idea. However, why should representatives of another country be concerned what is happening in Lithuania? Let us hope that at least somebody is concerned about the future of culture of the entire world or Europe.
Unexpected interpretational solutions and imprecision, which made the soloist feel uncannily, could be noticed in accompaniment to opera arias too. It is rather strange as the role of a pianist-accompanist is the visit card of L.Dorfmanas.
The cognitive concert took place, the audience heard the sound of rare instruments, people even applauded after every part of the music piece. However, if not for the beautiful playing in ensemble, warm communication of M.Bačkus with listeners, the concert would be similar to a good music lesson at school.
